Wednesday, September 30, 2009

Opening Ceremony releases Where the Wild Things Are inspired line of clothing



The upcoming release (October 16) of Spike Jonze's "Where the Wild Things Are," adapted, of course, from Maurice Sendak's genius story that has touched millions of childhoods--has inspired a slew of artists to create work based on the magic of this story and highly anticipated magic of this film. 24, to be exact, according to Vice Magazine--which is presenting "24 Artists Inspired by WTWTA." The one that stood out the most--was the above pictured WTWTA-inspired clothing collection by Opening Ceremony. The pictures are priceless, the clothing, unfortunately, is not.

Watch the trailer:

Thursday, September 17, 2009

Isaac Mizrahi: Because You're American, and You're Not A Stone

For those who are unequally obsessed with Isaac Mizrahi, and who don't share the same unending lust for the 1995 documentary Unzipped--the above title is a quote. When asked: "Why do you like Mary Tyler Moore?" Isaac respond, exasperated: "Because I'm American, and I'm not a STONE."

His latest collection which showed today was anything but stone like. Full of feeling and personality--Isaac brings humanity to fashion in his collections--which I feel are at the heart of the many millions of ways he spends his time (and gets paid to) these days. His playful accessories tell a story. His use of color makes you feel alive and very connected to the world (country, and specifically city if you are in NY) you live in. There was something very Broadway about it (in a good old fashioned way), very strolling down the avenue.

Cathy Horyn put it best, "I guess," on her NYT blog when she wrote: "It was a nice day, I guess, for American fashion."

Isaac does evening like few others in my opinion, but it doesn't fully capture the essence of the show, so for him, two highlights:for the soul of New York
for the evening, completely timeless

Wednesday, September 16, 2009

NY Fashion Week: Rodarte

Dyed, torn, scraped, scratched, dipped, bleached, soaked and shredded. Every one the Mulleavys chosen fabrics and materials was somehow scarred yet still ethereal and beautiful. The designers are masters of draping the female form, and finding colors and textures that engage the eye and each other.

Absolute highlight:

Tuesday, September 15, 2009

NY Fashion Week Reviews: Marc Jacobs

This year Fashion week hit us like a ton of bricks here at Soft, being that we are 2 weeks away from production, and 2 months from our LAUNCH (omg). That does not mean we stop looking at the world around us for inspiration, but it does mean we have no time for real reviews. Instead, we will be doing a daily (sometimes more than once a day) microblog (comments, links, photos, and posts) about what hits us upside the head on the runway this week. We are already late. So here is what's what:

Marc Jacobs: We love you for not showing us leather, studs and pointy shoulders. We are so over all except the latter, and do not want any more Balmaniacs walking the streets of new york. Marc gave us ethnic pattern references, organic shapes, sportswear elements, diaphanous fabrics, whimsical accessories, and womanly silhouettes and doll-like make up that inspires and embraces womanly women. It's all over the place, but that is why we love it.

Absolute highlight:

Totally Tavi Day

Photo: style rookie

For a close to a year now, I have been following the daily blog of a thirteen year old fashion forward thinking girl named Tavi, The Style Rookie. Recently in one of her video posts, she said that she reminds a lot of people of them at her age--the difference (and significant one) being that she has the internet. The internet, and the immediate editorial abilities and possibilities that come with the digital camera. It rang true for me as well--as I spent hours alone in my room cutting up clothes, creating looks and modeling them for myself in the mirror--starting already at age three. The only thing was--no one ever saw these creations--except for me and my audience of stuffed animals. Occasionally someone took a picture (below), but those were quietly hidden in a shoebox under the bed.
Through the word-of-mouth passing about of her blog, Tavi has been picked up by the cognoscenti of the fashion world--and this fashion week--is living her life like it's golden. I found out about her through a good friend who is design director at Calvin Klein--and remember thinking at the time, when Tavi's world seemed more insular--"does this girl know that major influencers are taking notice of her extraordinary creativity? Does she know her name is being passed around by skinny, smoking, fashion geniuses? She was being recognized for her refreshingly creative eye--and her seeming un-self-conscious grasp on what every designer/editor/fashion follower wants to harness--the newest newness. The future.This week I discovered Tavi is on two covers of Pop Magazine, has become a muse for Rodarte over the past few months, sat front row (along with Madonna) at Marc Jacobs, was profiled by the Wall Street Journal and Women's Wear Daily, along with much more that I am sure I missed. A recent video on her blog admits--now that this media attention (and the fact that she just told her teachers about her blog) might bring a few more readers to her site, it's time to present herself in a professional manner. What followed was a whimsically styled interpretive dance to electronic music called, "sophistication." Photo: style rookie
What is so cool about Tavi is that she references things from the past that are actually cool right now, and actually matter in terms of the evolution of fashion right NOW. I was so bored recently when I went to see the September Issue, by the banal references of the Vogue photoshoots. OOOH, twenties. OOOOH Fellini films. WOW, Rococo. Yawn, snore, bore. Grace Coddington might be a creative romantic, but her references seem stale, and Wintour cares about palatability and retail numbers making the references both stale and entirely un-challenging. Lets look, in contrast, at the last 5 or so references on Style Rookie: Harold and Maude, Where the Wild Things Are (coming out soon as a Spike Jonze directed, Maurice Sendak endorsed feature film, btw), Hitchcock’s Vertigo and The Birds, and Diane Keaton in Woody Allen’s Manhattan. In other words: gingham, plaids and tweeds, textures and neutrals, eerie and dramatic sets, and classic NY Fall. So much more interesting, engaging, young, and relevant—and ps—could still be referenced to sell clothing.

Tavi may be the new girl in town, but I have a feeling she will be around for a LONG time to come.

Jessica Ralli
Director, Soft